Hitchcock s Rear Window ( 1954 ) Essay - 1026 Words

Hitchcock’s Rear Window (1954) builds a distinct view of the world and how, in the director’s opinion, men and women fit in it. Through dialogue and mise-en-scene, Hitchcock’s always seems to be making a statement about how men and women should be viewed in his films. Rear Window pinpoints some recurring elements about men and women present in multiple Hitchcock films, where men are shown as damaged and needing help, while women are shown as care-givers. Men are always reluctant to take action, until the desire of the women to solve the mystery presses them into confrontation. Men think women are interested in money or status or success, while women are only interested in love. Love and marriage are also a recurring theme within Hitchcock’s works, and it can be explored through various lenses, but in this essay I will explore it through gender roles and voyeurism, specifically in Rear Window. All of the characters in Rear Window are described at one point or another in terms of their marital status and in terms of their relationships with the opposite sex. The crime on which the plot pivots is the result of a failed marriage. The hero of the film, L.B. Jefferies, tosses the proposal of marriage around throughout the film despite his opposition to commitment. In Spellbound (1945), John thinks he’s not worth loving. In Psycho (1960), Sam thinks his debt is too much to overcome, and therefore thinks a marriage wouldn’t work. But in Rear Window (1954), marriage itself is given aShow MoreRelatedMovie Review : Rear Window1083 Words   |  5 Pagesfilms so alike. Both films have interesting characters that lead the story, and both Kazan and Hitchcock take advantage of that by allowing those characters to provide depth to their respective worlds. Rear Window, directed by Alfred Hitchcock and released on August 1st, 1954 follows a newspaper photographer with a broken leg, who passes time recuperating by observing his neighbors through his window. He sees what he believes to be a murder, and decides to solve the crime himself (but with the helpRead MoreTheme Of Voyeurism1768 Words   |  8 PagesSolve Murders Since 1954 Alfred Hitchcock has always been known for his suspenseful and action filled films. His 1954 production of the movie Rear Window is no contradiction to that. Throughout Rear Window, many different motifs and themes are splayed out for the audience to dwell upon. One well seen theme is voyeurism. Within the movie, the audience is challenged with this theme, and left with the uncertainty about the power of voyeurism. Some critics believe that Hitchcock even went so far asRead MoreTechniques used in Alfred Hitchcocks The Rear Window1579 Words   |  4 PagesMarta Alfred Hitchcock was an amazing director and his films have lived on and are still thriving today due to the techniques he used in his films and the way he created them. He was known for taking the least probable scenarios and turning them into a masterpiece just by playing with light and form or angles. Some of these films are Psycho, Perfect Crime, The Man Who Knew Too Much and Rear Window. At first it was quite difficult to pinpoint a particular film to choose as he used brilliant techniquesRead MoreAnalysis Of Alfred Hitchcock s Rear Window And The Magic Circle2158 Words   |  9 Pages Symbolism is heavily demonstrated in Alfred Hitchcock’s 1954 Rear Window and Question s 2015 The Magic Circle. Both works have strengthened the idea that movie directors or game developers narrative forms can virtually implant a part of the audience into the works and have a direct impact on the interpretations of them by using symbols. Conversely, Rear Window and The Magic Circl e have their own unique narrative techniques in order to call forth the symbols of each work. Even thoughRead MoreBook Review : Rear Window By Alfred Hitchcock900 Words   |  4 Pagesthis curiosity that almost turns this mystery thriller into a tragedy. Rear Window was produced by Paramount Studios and is directed by Alfred Hitchcock. Rear Window was filmed in 1954 and IMBD gives the movie a rating of 8.5 out of 10. The main characters of Rear Window are played by James Stewart (L.B. Jefferies), Grace Kelly (Lisa Carol Fremont), Wendell Corey (Det. Lt. Thomas J. Doyle), and Thelma Ritter (Stella) (â€Å"Rear Window†). L.B. Jefferies is a photographer who is wheel-chair bound due to aRead MoreAnalysis Of Alfred Hitchcock s Rear Window1755 Words   |  8 Pagesable to pinpoint aspect of film studies that the average individual wouldn t have a clue about. Each film that we have viewed has had it s very own genre, director, and also time frame in which it took place. Throughout this essay you ll see the differences and slight similarities that are provided about two different films. â€Å"Rear Window† by Alfred Hitchcock which has a variety of different camera angles and sound differences unlike the film ,â€Å"Do Things The Right Way† by Spike Lee. â€Å"Do Things TheRead MoreRear Window Directed By Alfred Hitchcock Essay1575 Words   |  7 Pagesto be and follow are ever changing in today’s current society. However, in 1954, gender roles were very specific and it is shown throughout the film, Rear Window directed by Alfred Hitchcock. Through this film, gender ideologies are challenged but ultimately remain unshattered. The film produces an obvious view of women as the caretakers, and fragile in comparison to men who are the main providers. As the plot of Rear Window develops, characters continue to maintain the time periods gender ideologiesRead MoreMovie, Rear Window, By Alfred Hitchcock1150 Words   |  5 Pagesindividual must have to continue. Alfred Hitchcock’s 1954 film, Rear Window, is a riveting thriller that is based on Cornell Woolrich’s short story â€Å"It Had to be Murder†.   This film tells a narrative about an adventurous photographer, Jeffrie s played by James Stewart, who after breaking his leg is forced to remain shackled to a wheelchair within his home. To cope with boredom, he takes the liberty of observing his neighbors through one of his windows. It is through this pastime that he comes to believeRead MoreReview Of Gone Girl 1188 Words   |  5 PagesAnastasia Makroliolios Thriller Critique Task Gone Girl (2014) Mr Rhys Cassidy 12B 2015 Sir Alfred Hitchcock, director of several of the very first thriller films including his silent film The Lodger (1926), is believed to be the â€Å"Master of Suspense† (Ramirez Berg, 2015). Hitchcock was integral in creating the codes the codes and conventions of the thriller genre. These codes and conventions can be seen in some of Hitchcock’s films such as Vertigo (1958), Rope (1948) and PsychoRead MoreVoyeurism In Rear Window1767 Words   |  8 PagesHitchcock began his career in the early 1920s as a silent filmmaker, and rose to fame after his first successful silent thriller, The Lodger: A Story of the London Fog (1927). As sound technology progressed and became more accessible to filmmakers and movie theaters, Hitchcock began to work in sound. However, for the remainder of his career, Hitchcock was profoundly influenced by what he called ‘pure cinema’. This idea represents the film medium and its affective and expressive capabilities, unconstrained